Qing encounters

• Titel: Qing encounters
• Titelzusatz: artistic exchanges between China and the West
• Mitwirkende: Chu, Petra ten-Doesschate [HerausgeberIn]
• Mitwirkende: Ding, Ning [HerausgeberIn]
• Mitwirkende: Chu, Lidy Jane [HerausgeberIn]
• Verf.angabe: edited by Petra ten-Doesschate Chu and Ning Ding, with Lidy Jane Chu
• Verlagsort: Los Angeles, California
• Verlag: Getty Research Institute
• E-Jahr: 2015
• Jahr: [2015]
• Umfang: xxi, 297 Seiten
• Illustrationen: Illustrationen
• Format: 26 cm
• Gesamttitel/Reihe: Issues & debates
• Fussnoten: Includes bibliographical references and index
• ISBN: 978-1-60606-457-3
• ISBN: 1-60606-457-6
• Schlagwörter: (g)China / (g)Europa / (s)Qingdynastie / (s)Kunst / (s)Kulturkontakt / (z)Geschichte 1644-1912
• Dokumenttyp: Aufsatzsammlung
• Sprache: eng
• Bibliogr. Hinweis: Rezensiert in: Coman, Sonia: [Rezension von: Petra ten-Doesschate Chu, Ning Ding, Jane Chu, eds., Qing encounters, artistic exchanges between China and the West]
• K10plus-PPN: 820717932

Abstract

"Qing Encounters: Artistic Exchanges between China and the West examines how the encounters between China and Europe in the eighteenth and early nineteenth centuries transformed the arts on both sides of the East-West divide. These essays reveal how trading and copying images, artifacts, and natural specimens inflected both cultures' visions of novelty and pleasure, battle and power, and ways of seeing and representing. Artists and craftspeople borrowed and adapted forms, techniques, and modes of representation, producing deliberate, meaningful, and complex hybrid creations. By considering this reciprocity from both Eastern and Western perspectives, Qing Encounters offers a new and nuanced understanding of this critical period"--Page 4 of cover

Abstract

"Qing Encounters: Artistic Exchanges between China and the West examines how the encounters between China and Europe in the eighteenth and early nineteenth centuries transformed the arts on both sides of the East-West divide. These essays reveal how trading and copying images, artifacts, and natural specimens inflected both cultures' visions of novelty and pleasure, battle and power, and ways of seeing and representing. Artists and craftspeople borrowed and adapted forms, techniques, and modes of representation, producing deliberate, meaningful, and complex hybrid creations. By considering this reciprocity from both Eastern and Western perspectives, Qing Encounters offers a new and nuanced understanding of this critical period"--Page 4 of cover