Skip navigation
University library of Heidelberg
Availability: request
> Request/Reservation
Shelfmark: NE771.4.U45 W38 2016   QR-Code
Location: CATS / Abt. Ostasien: Monograph.
Copies: see below
Titel:Waves of renewal
Titelzusatz:modern Japanese prints, 1900 to 1960 : selections from the Nihon no hanga collection, Amsterdam
Mitwirkende:Uhlenbeck, Chris [HerausgeberIn] [VerfasserIn von Zusatztexten]   i
 Newland, Amy Reigle [HerausgeberIn] [VerfasserIn von Zusatztexten]   i
 Vries, Maureen de [HerausgeberIn] [VerfasserIn von Zusatztexten]   i
Körperschaft:Nihon no hanga [VerfasserIn]   i
Institutionen:Fondation Baur [Gastgebende Institution]   i
 Nihon no hanga [Sonstige Person, Familie und Körperschaft]   i
Verf.angabe:Chris Uhlenbeck, Amy Reigle Newland, Maureen de Vries
Verlagsort:Leiden
Verlag:Hotei Publishing
E-Jahr:2016
Jahr:[2016]
Umfang:318 Seiten
Fussnoten:Ausstellungsdaten ermittelt: An accompanying exhibition titled 'Modern Japanese prints 1910-1960' is on show (3 March 2016 - 22 May 2016) at Fondation Baur: Musée des arts d'Extrême-Orient in Geneva, Switzerland.
ISBN:978-90-04-30771-1
Abstract:Waves of Renewal traces the re-emergence of Japanese printmaking following an era of decline beginning in the late nineteenth century. The early twentieth century witnessed the development of two main printmaking movements. The first--shin hanga (new print)--reinvented and revitalised the time-honoured genres of landscape, beauties and actors. These prints adhered to a traditional production method based on the cooperation between artist, publisher, block-cutter and printer, but one infused with a new language of style and technique. The second--sōsaku hanga (creative print)--was a child of the emerging dialogue between Western and Japanese art and aesthetics. In the main, sōsaku hanga artists sought control of design and production as part of the creative process. Waves of renewal represents the first publication of this size and scope to draw on the extensive holdings of the Nihon no Hanga collection in Amsterdam. The some three hundred prints included showcase the sophistication of shin hanga and the boldness of sōsaku hanga. An introductory essay sets the stage for this rich period in the history of Japanese prints, with ten shorter contributions by noted scholars in the field that focus on aspects integral to our understanding of twentieth-century Japanese printmaking. The selected prints are documented and annotated in a catalogue section
URL:Inhaltsverzeichnis: http://www.gbv.de/dms/weimar/toc/856523003_toc.pdf
 Inhaltsverzeichnis: http://swbplus.bsz-bw.de/bsz470644575inh.htm
Schlagwörter:(k)Nihon no hanga   i / (g)Japan   i / (s)Druckgrafik   i / (z)Geschichte 1900-1960   i / (s)Sammlung   i
 (g)Japan   i / (k)Nihon no hanga   i / (s)Sammlung   i / (s)Druckgrafik   i / (z)Geschichte 1900-1960   i
 (g)Japan   i / (s)Shin-hanga   i
Dokumenttyp:Bildband
 Ausstellungskatalog
 Ausstellungskatalog: (Fondation Baur, Musée des Arts d’Extrême-Orient : 03.03.2016-22.05.2016 : Geneva)
Sprache:eng
RVK-Notation:LO 89900   i
K10plus-PPN:856523003
Copies:

Location markQRLocationAvailability
NE771.4.U45 W38 2016QR-CodeCATS / Abt. Ostasien: Monograph.available for request
Local ident number: 63094784

Permanent link to this item:  https://katalog.ub.uni-heidelberg.de/titel/68111748   QR-Code
zum Seitenanfang