Russian "émigré" culture

• Titel: Russian "émigré" culture
• Titelzusatz: conservatism or evolution?
• Mitwirkende: Flamm, Christoph [Hrsg.]
• Mitwirkende: Keazor, Henry [Hrsg.]
• Mitwirkende: Marti, Roland [Hrsg.]
• Verf.angabe: edited by Christoph Flamm, Henry Keazor and Roland Marti
• Verlagsort: Newcastle upon Tyne
• Verlag: Cambridge Scholars Publishing
• Jahr: 2013
• Umfang: Online-Ressource (X, 343 S.)
• Illustrationen: Ill.
• Fussnoten: Includes index. - Description based on online resource; title from PDF title page (ebrary, viewed July 24, 2014)
• ISBN: 978-1-4438-6366-7
• Schlagwörter: (g)Russland / (s)Literatur / (s)Kunst / (s)Musik / (s)Auswanderer / (s)Verbreitung / (g)Europa
• Datenträger: Online-Ressource
• Dokumenttyp: Aufsatzsammlung
• Dokumenttyp: Konferenzschrift: (2011 : Saarbrücken)
• Sprache: eng
• Reproduktion: Print version: Russian Émigré Culture : Conservatism or Evolution?
• Bibliogr. Hinweis: Erscheint auch als : Druck-Ausgabe: Russian émigré culture. - First published 2013. - Newcastle upon Tyne : Cambridge Scholars Publishing, 2013. - x, 343 Seiten
• RVK-Notation: KK 1750
• Sach-SW: Music ; Soviet Union ; History and criticism
• Sach-SW: Russians ; Foreign countries
• Sach-SW: Electronic books
• K10plus-PPN: 1654043273
• K10plus-PPN:
  Universitätsbibliothek
• Lokale URL UB: Zum Volltext

Abstract

A quarter of a century ago, glasnost opened the door for a new look at Russian émigré culture unimpeded by the sterile concepts of Cold War cultural politics. Easier access to archives and a comprehensive approach to culture as a multi-faceted phenomenon, not restricted to single phenomena or individuals, have since contributed to a better understanding of the processes within the émigré community, of its links with the lost home country, and of the interaction with the cultural life of the c...

Abstract

Intro -- TABLE OF CONTENTS -- PREFACE -- "MY LOVE, FORGIVE ME THIS APOSTASY" -- SECTION 1 -- THE PARTICIPATION OF RUSSIANPRE-REVOLUTIONARY DIPLOMATSIN THE CULTURAL LIFE OF THE RUSSIANEMIGRATION -- [WHAT IS IT THAT THE EMIGRATIONENGENDERED?] -ANDREY BELY, VIKTOR SHKLOVSKYAND ALEKSEY TOLSTOY IN 'RUSSIAN BERLIN'1921-1923 -- UN ENFANT PRODIGE -- SECTION 2 -- WHAT IS ARTISTIC FORM?MUNICH - MOSCOW 1900-1925 -- EL LISSITZKY, HIS BEAT THE WHITESWITH THE RED WEDGEAND THEIR JEWISH INSPIRATIONS -- RUSSIAN ÉMIGRÉ ARTISTS IN SERBIA(1920-1950) -- IDENTITY-SHOCK -- SECTION 3 -- RUSSIAN COLLECTIVE IDENTITY IN EXILEAND MUSIC IN BERLIN 1917-1933 -- RUSSIAN MUSIC INSTITUTIONS IN BERLININ THE 1920S -- "SLAVIC CHARM AND THE SOULOF TOLSTOY" -- STRAVINSKY'S SVADEBKA (1917-1923)AS THE QUINTESSENCE OF THE TECHNIQUEOF "BUILDING BLOCKS" -- EURASIANISM IN PERSPECTIVE -- MUSICAL MODERNISM IN THE MIRROROF THE MYASKOVSKY-PROKOF'EVCORRESPONDENCE -- VANKA THE HOUSEKEEPERBY NIKOLAY TCHEREPNINAND LADY MACBETHBY DMITRY SHOSTAKOVICH -- "I HAVE NO COUNTRY, I HAVE NO PLACE" -- CONTEMPORARY ÉMIGRÉ COMPOSERS -- ABSTRACTS -- CONTRIBUTORS -- INDEX.