The cultural sociology of art and music

• Titel: The cultural sociology of art and music
• Titelzusatz: new directions and new discoveries
• Mitwirkende: McCormick, Lisa [HerausgeberIn]
• Verf.angabe: Lisa McCormick, editor
• Verlagsort: Cham
• Verlag: Palgrave Macmillan
• E-Jahr: 2022
• Jahr: [2022]
• Umfang: 1 Online-Ressource (xxi, 445 Seiten)
• Illustrationen: Illustrationen
• Gesamttitel/Reihe: Cultural sociology
• Fussnoten: Description based on publisher supplied metadata and other sources
• ISBN: 978-3-031-11420-5
• Datenträger: Online-Ressource
• Sprache: eng
• Bibliogr. Hinweis: Erscheint auch als : Druck-Ausgabe: The cultural sociology of art and music. - Cham : Palgrave Macmillan, 2022. - xxi, 445 Seiten
• RVK-Notation: MS 8020
• Sach-SW: Electronic books
• K10plus-PPN: 1848522932
• K10plus-PPN:
  Universitätsbibliothek
• Lokale URL UB: Zum Volltext

Abstract

Intro -- Acknowledgments -- Praise for The Cultural Sociology of Art and Music -- Contents -- Notes on Contributors -- List of Figures -- List of Tables -- Chapter 1: Introduction -- Outline of the Volume -- References -- Part I: Setting New Agendas in the Cultural Sociology of the Arts -- Chapter 2: The Three Generations of the French Sociology of Art -- Introduction -- The Birth of the Sociology of Art -- Artworks, Audiences, Producers, Intermediaries -- From Renewal Through Objects to Renewal Through Theoretical Schools -- The Interactionist Turn: Toward a More Global Perspective -- From Positivist Sociology to the Sociology of Representations: The Interpretivist Turn -- From Explanation to Interpretation -- The Pragmatic Turn -- Conclusion: A New Dividing Line -- References -- Chapter 3: Artist Residencies as Creative Ecologies: Proposing a New Framework for Twenty-First-Century Cultural Production -- Residencies in Practice, History, and Research -- From Field to Ecologies: A Critical Perspective with ANT -- Residencies as Drivers of Artistic Production -- Following Creative Work(s) with ANT -- Residencies As/Among Creative Ecologies -- Conclusions and Agendas -- References -- Chapter 4: Theory of an Art Market Scandal: Artistic Integrity and Financial Speculation in the Inigo Philbrick Case -- Introduction -- Literature Review -- Methodology -- Analysis: Mapping the Philbrick Scandal -- Persona as Conduit: Archetypes -- Conclusions -- References -- Part II: What Art and Music Mean: Aesthetics and Evaluation -- Chapter 5: Constructing Difference and Diversity: Culture, Meaning, and the Social Aesthetics of American Art Music -- Introduction -- American Art Music's Social Contexts -- Postmodern Paradoxes -- Data and Method -- Constructing Difference and Diversity -- Synthesis as Musical Difference -- Identity Politics and Musical Diversity.