Metamorphic Imagery in Ancient Chinese Art and Religion

• Verfasst von: Childs-Johnson, Elizabeth [VerfasserIn]
• Verfasst von: Major, John S. [VerfasserIn]
• Titel: Metamorphic Imagery in Ancient Chinese Art and Religion
• Verf.angabe: Elizabeth Childs-Johnson and John S. Major
• Verlagsort: London ; New York
• Verlag: Routledge Taylor & Francis Ltd
• Jahr: 2023
• Umfang: 568 Seiten
• ISBN: 978-1-032-37649-3
• Sprache: eng
• Sach-SW: Alte Religionen und Mythen
• Sach-SW: Ancient religions & mythologies
• Sach-SW: Archaeological theory
• Sach-SW: Archaeology by period / region
• Sach-SW: Archäologie einer Periode / Region
• Sach-SW: Archäologische Theorie
• Sach-SW: Asian history
• Sach-SW: Asiatische Geschichte
• Sach-SW: HISTORY / Asia / China
• Sach-SW: REL114000
• Sach-SW: RELIGION / Antiquities & Archaeology
• Sach-SW: SOCIAL SCIENCE / Archaeology
• Geograph. SW: Alte Welt
• Geograph. SW: Ancient World
• Geograph. SW: China
• Geograph. SW: China
• K10plus-PPN: 1845945123

Abstract

This book demonstrates that the concept of metamorphism was central to ancient Chinese religious belief and practices from at least the late Neolithic period through the Warring States Period of the Zhou dynasty. Delves into the ubiquitous motif in early Chinese figurative art, the metamorphic power mask. While the motif underwent stylistic variation over time, its formal properties remained stable, underscoring the image's ongoing religious centrality. It symbolized the metamorphosis, through the phenomenon of death, of royal personages from living humans to deceased ancestors who required worship and sacrificial offerings. Employs a multidisciplinary approach that integrates archaeologically recovered objects with literary evidence from oracle bone and bronze inscriptions to canonical texts. By situating them in the appropriate historical context, the study presents detailed analyses of form and style, and of change over time, observing the importance of relationality and the dynamic between imagery, materials and affects. is a significant publication in the field of early China studies, presenting an integrated conception of ancient art and religion that surpasses any other work now available