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Signatur: 2023 D 890   QR-Code
Standort: Hauptbibliothek Altstadt / Tiefmagazin 2
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Verfasst von:Ribeyrol, Charlotte [VerfasserIn]   i
 Ghigo, Tea [VerfasserIn]   i
Titel:William Burges's Great bookcase & the Victorian colour revolution
Mitwirkende:Burges, William [IllustratorIn]   i
Verf.angabe:Charlotte Ribeyrol ; with a contribution by Tea Ghigo, Conservation Research Fellow, Ashmolean Museum, Oxford
Verlagsort:New Haven ; London
Verlag:Yale University Press
Jahr:2023
Umfang:240 Seiten
Illustrationen:Illustrationen
Format:27 cm
Fussnoten:Includes index ; Bibliography: pages 222-232
Ang. zum Inhalt:The colours of the 1862 London Exhibition
 Sanctifying colour: Simeon Solomon's St John and the angel measuring the heavenly Jerusalem and Thomas Morten's Beato Angelico
 Translating poetic colour: Henry Holiday's Sappho and Phaeton and Edward J. Poynter's Dante's vision
 Excavating colour: Edward J. Poynter's Rhodopis and Frederick Smallfield's The origin of painting
 Sculptural bodies: Simeon Solomon's Pygmalion and Albert Moore's Torrel modelling effigy of Queen Eleanor
 Reading Burges
 Colour matters: reading the materiality of the Great bookcase / / Tea Ghigo.
ISBN:978-0-300-26797-6
Abstract:Charlotte Ribeyrol presents a fascinating (book)case study exploring the story of an extraordinary object, William Burges's (1827-1881) Great Bookcase. No fewer than 13 major artists, including Edward Burne-Jones, Edward Poynter, and Albert Moore, took part in the painting of this unique piece of furniture, which has now returned to the Ashmolean Museum after an absence of over 80 years. Ribeyrol throws new light on the chromophilia of the Pre-Raphaelite architect William Burges and his key role in shaping aesthetic debates about color in the 1860s. This crucial decade, which saw the advent of the first synthetic dyes, transformed the experience of color for many painters and poets in Burges's circle. Interweaving art, literature, and chemistry, Ribeyrol reads the eight painted panels of the Great Bookcase in the context of this 'color revolution', which brought to the fore new approaches to color while simultaneously triggering a revival of the polychromy of the Pagan and Christian past. Drawing on pioneering interdisciplinary research and featuring new photography throughout, this book provides a definitive account of one of Burges's most cherished and complex artworks
URL:Inhaltsverzeichnis: https://www.gbv.de/dms/art-berlin/1847672914.pdf
 Inhaltsverzeichnis: https://swbplus.bsz-bw.de/bsz1847672914inh.htm
Schlagwörter:(t)Burges, William / Bücherschrank <Ashmolean Museum>   i
 (s)Farbgestaltung   i / (s)Ästhetik   i
Dokumenttyp:Aufsatzsammlung
Sprache:eng
Sach-SW:Bookcases
 Pre-Raphaelitism
Geograph. SW:England - Oxford
 Great Britain
K10plus-PPN:1847672914
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Mediennummer: 10698802

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