Performative polemic

• Verfasst von: LaPorta, Kathrina Ann [VerfasserIn]
• Titel: Performative polemic
• Titelzusatz: anti-absolutist pamphlets and their readers in late seventeenth-century France
• Verf.angabe: Kathrina Ann LaPorta
• Verlagsort: Newark
• Verlag: University of Delaware Press
• Jahr: 2021
• Umfang: xiii, 322 Seiten
• Gesamttitel/Reihe: The early modern exchange
• Fussnoten: Literaturverzeichnis: Seite 299 - 315
• ISBN: 978-1-64453-209-6
• ISBN: 978-1-64453-211-9
• ISBN: 978-1-64453-210-2
• Schlagwörter: (g)Frankreich / (s)Absolutismus / (s)Polemik / (s)Pamphlet / (z)Geschichte 1667-1696 / (s)Politischer Protest
• Sprache: eng
• Bibliogr. Hinweis: Erscheint auch als : Online-Ausgabe: LaPorta, Kathrina Ann: Performative polemic. - Newark : University of Delaware Press, 2021 |(DLC)2020053145
• Bibliogr. Hinweis: Erscheint auch als : Online-Ausgabe: LaPorta, Kathrina Ann: Performative Polemic. - New Brunswick : University of Delaware Press, 2021. - 1 online resource (224 pages)
• RVK-Notation: AN 19200
• K10plus-PPN: 1742315267

Abstract

An Army of Authors -- Performing Justice: Lisola's Bouclier d'état et de justice (1667) -- Moving Speech: Performing Memory in Le Miroir des princes (1684) -- Failure to Perform? Scripting Reform in Les Soupirs de la France esclave (1689-90) -- Comedy of Erring: Performance in the Underworld in L'Alcoran de Louis XIV (1695) -- Unbecoming Majesty: Performing Impotence in the Conseil privé de Louis le Grand (1696) -- Epilogue: The King is Dead, Long Live Dissent.

Abstract

"Performative Polemic is the first literary historical study to analyze the "war of words" unleashed in the pamphlets denouncing Louis XIV's absolute monarchy between 1667 and 1715. As conflict erupted between the French ruler and his political enemies, pamphlet writers across Europe penned scathing assaults on the Sun King's bellicose impulses and expansionist policies. This book investigates how, at a crucial moment in which politics was enacted through praise literature and the spectacle of court ceremony, pamphlet writers challenged the monarchy's monopoly over the performance of sovereignty by contesting the very mechanisms through which the Crown legitimized its authority at home and abroad. In this volume, Kathrina LaPorta offers a new conceptual framework for reading pamphlets as political interventions. Rather than viewing these polemical works as windows into the past, LaPorta asserts that an analysis of the pamphlet's form is crucial to understanding how pamphleteers actively dialogued with the literary field to invest readers in political dissent. Even as pamphlets spread sedition, their authors seduced readers by capitalizing on existing markets in literature, legal writing, and journalism. Pamphlet writers appealed to the theatergoing public that would have been attending plays by Molière and Racine, as well as to readers of historical novels and periodicals. Whether they appropriated juridical language to indict absolutism, or usurped Louis XIV's voice in fictive narratives mocking his impotence, pamphleteers entertained readers as they revealed the fault lines in the absolutist enterprise. In examining the endlessly creative ways in which pamphlets attacked the performative circuitry behind the curtain of monarchy, LaPorta offers a richer picture of the intersections between seventeenth-century literary culture and the clandestine world of pamphleteering"--