Precious stones in religious objects

• Verfasst von: Pichaničová, Veronika [VerfasserIn]
• Titel: Precious stones in religious objects
• Titelzusatz: use and representation in the Early Medieval Latin West
• Werktitel: Lapides omnes muri tui
• Verf.angabe: Veronika Pichaničová
• Verlagsort: Roma
• Verlagsort: Brno
• Verlag: Viella
• Verlag: Masaryk University Press
• E-Jahr: 2024
• Jahr: [2024]
• Jahr: [2024]
• Umfang: 184 Seiten, 48 nicht nummerierte Seiten Illustrationen
• Illustrationen: Illustrationen
• Format: 24 cm
• Gesamttitel/Reihe: Studia artium mediaevalium Brunensia ; 14
• Gesamttitel/Reihe: I libri di Viella : Arte
• Fussnoten: "This publication is a reworked and extended version of a dissertation thesis defended at the Masaryk university in Brno, Czech Republic and it has been peer-reviewed" (Seite 12). - Titel der Dissertation ermittelt: 'Lapides omnes muri tui...' : use and representation of precious stones in religious objects of the Latin West during the Early Middle Ages ; Bibliographie Seiten 143-178
• Hochschulschrift: Dissertation, Masaryk University, 2021
• ISBN: 9791254692110
• ISBN: 978-80-280-0417-0
• ISBN: 80-280-0417-2
• Schlagwörter: (s)Steinschneidekunst / (s)Edelstein / (s)Christliche Kunst / (z)Geschichte 500-1500
• Sprache: eng
• K10plus-PPN: 1883153107

Abstract

"Precious stones have fascinated mankind for millennia. These glistening and colourful pieces of nature were centres of various legends and superstitions, used for healing and protection as well as signs of status and wealth. Since the dawn of Christianity, precious stones embarked on a journey where they were gradually cleansed from their Pagan past of being used as magical amulets and introduced into the world of Christian symbolism and allegory. They became ubiquitous on the most important sacred objects - from reliquaries and crosses to altars and ornate covers for the Holy Scriptures, they broadcasted the inner, spiritual value of these items through means that were easily understandable by everyone. Similarly, the visual prowess of precious stones was also utilized through mosaics or sparkling stained-glass windows, transforming entire sacred spaces into magnificent jewel-like visions of Heavenly Jerusalem. Whether real or represented in glass, precious stones were far more than mere decoration or a sign of profane wealth. As this book shows, at least for a moment they enabled medieval eyes to experience the vision of otherworldly beauty and preciousness, a true vision of the sacred."--Back cover