The art of Mary Linwood

• Verfasst von: Strobel, Heidi A. [VerfasserIn]
• Titel: The art of Mary Linwood
• Titelzusatz: embroidery, installation, and entrepreneurship in Britain, 1787-1845
• Mitwirkende: Linwood, Mary [IllustratorIn]
• Verf.angabe: Heidi A. Strobel
• Verlagsort: London ; New York ; Oxford ; New Delhi ; Sydney
• Verlag: Bloomsbury Visual Arts
• E-Jahr: 2024
• Jahr: [2024]
• Umfang: xv, 235 Seiten, 16 Seiten Bildtafeln
• Illustrationen: illustrationen
• Format: 24 cm
• Gesamttitel/Reihe: Material culture of art and design
• Fussnoten: Literaturverzeichnis: Seite 211-228
• ISBN: 978-1-350-42808-9
• ISBN: 978-1-350-42811-9
• Schlagwörter: (p)Linwood, Mary / (s)Unternehmerin / (s)Textilkunst / (s)Kunsthandel
• Schlagwörter: (p)Linwood, Mary / (g)Großbritannien / (s)Malerei / (z)Geschichte 1750-1840
• Sprache: eng
• Bibliogr. Hinweis: Erscheint auch als : Online-Ausgabe: Strobel, Heidi A., 1968-: Art of Mary Linwood. - London : Bloomsbury Academic, 2024 |(DLC)2023024111
• K10plus-PPN: 1889997803

Abstract

"The Art of Mary Linwood is the first book on Leicester textile artist Mary Linwood (1755-1845) and catalogue of her work. When British textile artist and gallery owner Mary Linwood died in 1845 just shy of 90 years old, her estate was worth the equivalent of £5,199,822 in today's currency. As someone who made, but didn't sell, embroidered replicas of famous artworks after artists such as Gainsborough, Reynolds, Stubbs, and Morland, how did she accumulate so much money? A pioneering woman in the male-dominated art world of late Georgian Britain, Linwood established her own London gallery in 1798 which featured copies of well-known paintings by these popular artists. Featuring props and specially designed rooms for her replicas, she ensured that her visitors had an entertaining, educational, and kinetic tour, similar to what Madame Tussaud would do one generation later. The gallery's focus on picturesque painters provided her London visitors with an idyllic imaginary journey through the countryside. Its emphasis on quintessentially British artists provided a unifying focus for a country that had recently emerged from the threat of Napoleonic invasion. This book brings to the fore Linwood's gallery guides and previously unpublished letters to her contemporaries, such as Birmingham inventor Matthew Boulton and Queen Charlotte. By examining Linwood's replicas and their accompanying objects through the lens of material culture, the book provides a much-needed contribution to the scholarship on women and cultural agency in the early 19th century"--