Eyewitness textures

• Titel: Eyewitness textures
• Titelzusatz: user-generated content and journalism in the twenty-first century
• Mitwirkende: Lithgow, Michael [HerausgeberIn]
• Mitwirkende: Martin, Michèle [HerausgeberIn]
• Verf.angabe: edited by Michael Lithgow and Michèle Martin
• Verlagsort: Montreal ; Kingston ; London ; Chicago
• Verlag: McGill-Queen’s University Press
• E-Jahr: 2024
• Jahr: [2024]
• Umfang: xxiv, 339 Seiten
• Illustrationen: Illustrationen, Diagramme
• Fussnoten: Literaturangaben, Index
• ISBN: 978-0-2280-1922-0
• ISBN: 978-0-2280-1923-7
• Schlagwörter: (s)User Generated Content / (s)Journalismus
• Dokumenttyp: Aufsatzsammlung
• Sprache: eng
• Bibliogr. Hinweis: Erscheint auch als : Online-Ausgabe: Eyewitness textures. - Montreal : McGill-Queen's University Press, 2024. - 1 Online-Ressource (xxiv, 339 Seiten)
• RVK-Notation: AP 15910
• Sach-SW: Journalisme - Innovations
• Sach-SW: Contenu créé par l'utilisateur
• Sach-SW: Journalism - Technological innovations
• Sach-SW: User-generated content
• K10plus-PPN: 1878194666

Abstract

"News coverage today is an emerging collaboration between the general public and professional journalists. News consumers have come to expect and demand the unprecedented immediacy of experience and coverage of breaking news offered by photographs, video clips, audio recordings, tweets, commentary: content created by ordinary citizens. The use of user-generated content is a salient aspect of how journalists and news organizations are responding to technological changes in the twenty-first century. Eyewitness Textures examines the far-reaching changes in journalism spurred by the growing importance of user-generated content. Bringing together the voices and experiences of professional journalists and academic researchers from across five continents, this collection explores news production practices, changing skills among editors and journalists, and corporate and newsroom restructuring. Chapters by practitioners collectively reflect the newsroom experiences of major global media organizations, while the academic contributions address issues of industrial transformation, political influence, truth and verification, aesthetics, and ideological implications. Both perspectives combine to deepen our understanding of what constitutes the conditions and creation of good journalism, as well as the implications of how the profession should be taught to future journalists. Tracing recent shifts in journalism practice around the world, Eyewitness Textures examines the creative adaptation and strategies of journalists and news organizations in the face of transformative technological change."--