| Verfasst von: | Smee, Sebastian [VerfasserIn]  |
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| Titel: | Paris in ruins |
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| Titelzusatz: | love, war, and the birth of Impressionism |
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| Verf.angabe: | Sebastian Smee |
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| Verlagsort: | New York ; London |
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| Verlag: | W. W. Norton & Company |
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| E-Jahr: | 2024 |
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| Jahr: | [2024] |
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| Umfang: | xi, 370 Seiten, 8 ungezählte Seiten Bildtafeln |
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| ISBN: | 978-1-324-00695-4 |
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| Abstract: | A Boston Globe 20 Books We Cant Wait to Read This Fall A Next Big Idea Club Must-Read Book for September 2024 The Pulitzer Prize-winning art critics gripping account of the Terrible Year in Paris and its monumental impact on the rise of Impressionism |
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| | "From the summer of 1870 to the spring of 1871, famously dubbed the "Terrible Year" by Victor Hugo, Paris and its people were besieged, starved, and forced into surrender by Germans -- then imperiled again as radical republicans established a breakaway Commune, ultimately crushed by the French Army after bloody street battles and the burning of central Paris. As renowned art critic Sebastian Smee shows, it was against the backdrop of these tumultuous times that the Impressionist movement was born -- in response to violence, civil war, and political intrigue. In stirring and exceptionally vivid prose, Smee tells the story of those dramatic days through the eyes of great figures of Impressionism. Édouard Manet, Berthe Morisot, and Edgar Degas were trapped in Paris during the siege and deeply enmeshed in its politics. Others, including Pierre-August Renoir and Frédéric Bazille, joined regiments outside of the capital, while Claude Monet and Camille Pissarro fled the country just in time. In the aftermath, these artists developed a newfound sense of the fragility of life. That feeling for transience -- reflected in Impressionism's emphasis on fugitive light, shifting seasons, glimpsed street scenes, and the impermanence of all things -- became the movement's great contribution to the history of art. At the heart of it all is a love story; that of Manet, by all accounts the father of Impressionism, and Morisot, the only woman to play a central role in the movement from the start. Smee poignantly depicts their complex relationship, their tangled effect on each other, and their great legacy, while bringing overdue attention to the woman at the heart of Impressionism." -- |
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| URL: | Inhaltsverzeichnis: http://www.gbv.de/dms/bowker/toc/9781324006954.pdf |
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| | Inhaltsverzeichnis: https://swbplus.bsz-bw.de/bsz1902684125inh.htm |
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| | Cover: https://www.dietmardreier.de/annot/426F6F6B446174617C7C393738313332343030363935347C7C434F50.jpg?sq=2 |
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| Schlagwörter: | (g)Paris / (s)Deutsch-Französischer Krieg <1870-1871> / (s)Impressionismus / (s)Kunst / (s)Gesellschaft / (z)Geschichte 1870-1875 |
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| Sprache: | eng |
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| RVK-Notation: | LM 10180 |
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| Sach-SW: | ARCHITECTURE / Individual Architect |
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| | ART / European |
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| | ART / History / General |
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| | ART016030 |
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| | Art & design styles: Impressionism & Post-Impressionism |
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| | Art & design styles: Modernist design & Bauhaus |
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| | BIOGRAPHY & AUTOBIOGRAPHY / General |
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| | Biografien: allgemein |
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| | Biography: general |
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| | Einzelne Architekten und Architekturbüros |
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| | European history |
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| | Europäische Geschichte |
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| | Impressionismus |
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| | Individual architects & architectural firms |
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| | Individual artists, art monographs |
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| | Individual photographers |
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| | Kunstgeschichte |
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| | Modernismus |
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| | PHOTOGRAPHY / Individual Photographer |
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| | Impressionnisme (Art) - France |
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| | Art et conflits sociaux - France |
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| | Impressionnisme (Art) - France - 19e siècle |
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| | Art et conflits sociaux - France - 19e siècle |
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| | Impressionnistes - France - 19e siècle |
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| | ART / History / Modern (late 19th Century to 1945) |
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| | HISTORY / Europe / France |
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| | BIOGRAPHY & AUTOBIOGRAPHY / Artists, Architects, Photographers |
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| | Informational works |
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| | Documents d'information |
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| K10plus-PPN: | 1902684125 |
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