New media technology and motion pictures

• Titel: New media technology and motion pictures
• Mitwirkende: Hunt, Daniel [HerausgeberIn]
• Verf.angabe: edited by Daniel S. Hunt
• Verlagsort: New York ; Berlin ; Bruxelles ; Chennai ; Lausanne ; Oxford
• Verlag: Peter Lang
• E-Jahr: 2024
• Jahr: [2024]
• Umfang: VIII, 186 Seiten
• Illustrationen: Illustrationen
• Fussnoten: Literaturangaben
• ISBN: 978-1-63667-197-0
• ISBN: 978-1-63667-922-8
• Schlagwörter: (s)Neue Medien / (s)Medientechnik / (s)Film
• Schlagwörter: (s)Neue Medien / (s)Medientechnik / (s)Film
• Dokumenttyp: Aufsatzsammlung
• Sprache: eng
• Bibliogr. Hinweis: Erscheint auch als : Online-Ausgabe: New media technology and motion pictures. - New York : Peter Lang, 2024. - 1 Online-Ressource (VIII, 186 Seiten)
• RVK-Notation: AP 55000
• Sach-SW: ART / Business Aspects
• Sach-SW: Film production: technical & background skills
• Sach-SW: Film theory & criticism
• Sach-SW: Filmemachen und Filmproduktion: technische Kenntnisse und Hintergrundwissen
• Sach-SW: Filmgeschichte, Filmtheorie und Filmkritik
• Sach-SW: Media studies
• Sach-SW: Medienwissenschaften
• Sach-SW: Popular culture
• Sach-SW: Populäre Kultur
• Sach-SW: SOCIAL SCIENCE / Customs & Traditions
• Sach-SW: SOCIAL SCIENCE / Media Studies
• K10plus-PPN: 1880144417

Abstract

The motion picture industry is dependent on technology. It is therefore important for scholars and students of film, media, and communication to understand how film audiences and practitioners engage with technology. A critical aspect of scholarly work is to document and interpret these technologies as they emerge, and to provide a detailed understanding of how their use is changing due to social, political, environmental, and cultural factors. The scholars and practitioners that contribute to this volume adopt a diverse range of theoretical and methodological perspectives in order to bridge the philosophical and epistemological differences that often create silos of media studies research. Authors explore topics such as; DIY production, equity and representation in Hollywood, the rise of mobile vertical screens, advancements in the cinematic experience, the relationships between traditional and new media, and social justice filmmaking. The impact of online social movements on the motion picture industry, and the dynamic interaction between makers and audiences, emerge as key areas of inquiry

Abstract

Disruptive Technologies and Power Shifts: Filmmaking, Distribution, and Exhibition Times Up for Equity in Hollywood: Assessing the Politics of Inclusion in the Film Industry Framing a Mountain Run, One Subscriber at a Time: Vlogging the Ultra-Trail Sport Film Exhibition: Technical Innovations and the Cinematic Experience Failure to Communicate? The Sociocultural Effects of Movie Quotes in the Digital Era Mobile Vertical Screens: A Catalyst for the Revolutionary Change in Script Writing American Moment: Podcasting in B.J. Novak's Vengeance Social Justice Filmmaking from a DIY Perspective

Abstract

"This edited collection highlights advances in technology innovation throughout the motion picture industry. Contributing authors examine the current state of film production, distribution, exhibition, and the audience viewing experience. Throughout the book topics are explored such as DIY production, equity and representation in Hollywood, the rise of mobile verticals screens, advancements in the cinematic experience, the relationships between traditional and new media, and social justice filmmaking. Contributing scholars adopt a diverse range of theoretical and methodological perspectives to offer original research on the current state of motion pictures. The impact of online social movements affecting the motion picture industry and the dynamic interaction between makers and audiences are examined in this collection. This book offers new insight for scholars and students of film, media, and communication"