Château la Coste

• Verfasst von: Edelmann, Frédéric [VerfasserIn]
• Titel: Château la Coste
• Mitwirkende: Schwyzer, Simon [FotografIn]
• Mitwirkende: Moreu, Sébastien [HerausgeberIn]
• Institutionen: Château la Coste [VeranstalterIn]
• Institutionen: Galerie Enrico Navarra [HerausgeberIn]
• Verf.angabe: textes par / texts by Frédéric Edelmann, photographies par / photographs by Simon Schwyzer, direction de la publication / edition management Sébastien Moreu
• Verlagsort: Paris ; Enrico Navarra
• Jahr: 2016
• Umfang: 344, 71, 71 Seiten + 3 Fotokarten + 1 Beiheft
• ISBN: 978-2-911596-21-6
• Schlagwörter: (g)Le Puy-Sainte-Réparade / (s)Kulturelle Einrichtung / (s)Installation <Kunst> / (s)Plastik / (s)Architektur
• Dokumenttyp: Bildband
• Sprache: fre eng
• RVK-Notation: LH 39910
• RVK-Notation: LM 10408
• Sonst. Schlagwort: (s)Sammlung Prinzhorn
• K10plus-PPN: 1920538399

Abstract

Chateau La Coste, near Aix-en-Provence, is a unique property that combines sculptural artworks by leading contemporary artists alongside works by some of the world's best-known architects, all within the grounds of a working organic vineyard. Since 2004 the estate, which occupies an ancient site, has been transformed into an exceptional plein-air museum, and the number of installations grows every year. The spreading collection lies within the walk of a spectacular Art Centre, designed by the world-renowned Japanese architect Tadao Ando. On the reflecting pool in front of the building is one of Louise Bourgeois' giant arachnoid sculptures, Crouching Spider. To the north lies a futuristic winery by Jean Nouvel. By taking one of several routes to the south or west, the visitor encounters such monumental installations as Sean Scully's sculpture of stacked blocks of limestone, Wall of Light Cubed; Richard Serra's steel sheets, AIX; and Oak Room by Andy Goldsworthy, a cave of interwoven oak branches, integrated into an old stone wall. Installations by Liam Gillick, Kengo Kuma, Paul Matisse, Sophie Calle and many others punctuate the pathways. And by an ancient Roman route, Ai Weiwei has created another new path up the hillside, using paving stones salvaged from the renovated port at Marseilles. Overlooking the site is a 16th-century chapel restored by Ando and enclosed by a framework of steel and glass