Early Netherlandish carved altarpieces, 1380 - 1550

• Verfasst von: Jacobs, Lynn F.
• Titel: Early Netherlandish carved altarpieces, 1380 - 1550
• Titelzusatz: medieval tastes and mass marketing
• Verf.angabe: Lynn F. Jacobs
• Ausgabe: 1. publ.
• Verlagsort: Cambridge
• Verlag: Cambridge Univ. Press
• Jahr: 1998
• Umfang: XV, 352 S.
• Illustrationen: Ill.
• Format: 26 cm
• Inhalt: Literaturverz. S. 329 - 341
• Hochschulschrift: Teilw. zugl.: New York, New York Univ, Inst. of Fine Arts, Diss., 1986 u.d.T.: Jacobs, Lynn Frances: Aspects of Netherlandish carved altarpieces
• ISBN: 0-521-47483-3
• ISBN: 978-0-521-47483-2
• Thematischer Kontext: Rezension: Dollinger, Anja, 1964 - : [Rezension von: Lynn F. Jacobs, Early Netherlandish carved altarpieces, 1380-1550]
• Schlagwörter: (g)Flandern <Belgien> / (s)Schnitzaltar / (s)Polychromie / (s)Vermarktung
• Schlagwörter: (g)Niederlande <Süd> / (s)Retabel / (z)Geschichte 1380-1550
• Dokumenttyp: Hochschulschrift
• Sprache: eng
• Bibliogr. Hinweis: Rezensiert in: Proncho, Renate: [Rezension von: Lynn F. Jacobs, Early Netherlandish carved altarpieces, 1380-1550]
• Altbestandsnotation: RegK: 341 cl
• Altbestandsnotation: RegK: 343 cl
• Altbestandsnotation: SysK: Kunst sk 055
• RVK-Notation: LO 33420
• RVK-Notation: LO 33430
• RVK-Notation: LO 33340
• K10plus-PPN: 229521185

Abstract

The carved wooden altarpieces produced in the South Netherlands from the late fourteenth- to the mid-sixteenth centuries are among the most lavish and splendid examples of late medieval art. Though currently one of the least known and appreciated types of Netherlandish art, such altarpieces were the most common form of decoration on the high altars of churches in the Lowlands during the late Gothic period. Exported in huge numbers throughout much of Europe, these retables include high distinctive visual and iconographic features. These detailed narratives and masterful combinations of painting, sculpture, and architectural decoration powerfully express religious tastes and aesthetics of the late medieval period. This study also demonstrates how these works, despite their large size and complexity, were often sold on the open market, thus providing evidence of the expanding capitalistic orientation of the Netherlandish art market at the end of the middle ages