Titel: | Queer movie medievalisms |
Mitwirkende: | Kelly, Kathleen Coyne [Hrsg.] |
| Pugh, Tison |
Verf.angabe: | ed. by Kathleen Coyne Kelly; Tison Pugh |
Verlagsort: | Farnham [u.a.] |
Verlag: | Ashgate |
E-Jahr: | 2009 |
Jahr: | c2009 |
Umfang: | XIII, 249 S |
Format: | 24 cm |
Gesamttitel/Reihe: | Queer interventions |
Fussnoten: | Formerly CIP Uk. - Includes bibliographical references and index |
Inhalt: | Introduction: queer history, cinematic medievalism, and the impossibility of sexuality / Kathleen Coyne Kelly, Tison Pugh |
| The law of the daughter: queer family politics in Bertrand Tavernier's La passion Béatrice / Lisa Manter |
| Queering the Lionheart: Richard I in The lion in winter on stage and screen / R. Barton Palmer |
| "He's not an ardent suitor, is he, brother?": Richard the Lionheart's ambiguous sexuality in Cecil B. DeMille's 1935 The Crusades / Lorraine Kochanske Stock |
| "In the company of Orcs": Peter Jackson's queer Tolkien / Jane Chance |
| The eastern Western: camp as a response to cultural failure in The conqueror / Anna Klosowska |
| "In my own idiom": social critique, campy gender, and queer performance in Monty Python and the Holy Grail / Susan Aronstein |
| Performance, camp, and queering history in Luc Besson's Jeanne d'Arc / Susan Hayward |
| Sean Connery's star persona and the queer Middle Ages / Tison Pugh |
| Will Rogers' pink spot: A Connecticut yankee / Kathleen Coyne Kelly |
| Danny Kaye and the "fairy tale" of queerness in The court jester / Martha Bayless |
| Mourning and sexual difference in Hans-Jürgen Syberberg's Parsifal / Michelle Bolduc |
| Superficial medievalism and the queer futures of film / Cary Howie. |
ISBN: | 978-0-7546-7592-1 |
| 0-7546-7592-0 |
Abstract: | Introduction : queer history, cinematic medievalism, and the impossibility of sexuality / Kathleen Coyne Kelly, Tison Pugh -- The law of the daughter : queer family politics in Bertrand Tavernier's La passion Béatrice / Lisa Manter -- Queering the Lionheart : Richard I in The lion in winter on stage and screen / R. Barton Palmer -- "He's not an ardent suitor, is he, brother?" : Richard the Lionheart's ambiguous sexuality in Cecil B. DeMille's The Crusades (1935) / Lorraine Kochanske Stock -- "In the company of orcs" : Peter Jackson's queer Tolkien / Jane Chance -- The eastern Western: camp as a response to cultural failure in The conqueror / Anna Kłosowska -- "In my own idiom" : social critique, campy gender, and queer performance in Monty Python and the Holy Grail / Susan Aronstein -- Performance, camp, and queering history in Luc Besson's Jeanne d'Arc / Susan Hayward -- Sean Connery's star persona and the queer Middle Ages / Tison Pugh -- Will Rogers' pink spot : A Connecticut Yankee (1931) / Kathleen Coyne Kelly -- Danny Kaye and the "fairy tale" of queerness in The court jester / Martha Bayless -- Mourning and sexual difference in Hans-Jürgen Syberberg's Parsifal / Michelle Bolduc -- Superficial medievalism and the queer futures of film / Cary Howie |
Schlagwörter: | (s)Film / (s)Mittelalter <Motiv> / (s)Homosexualität <Motiv> |
Dokumenttyp: | Aufsatzsammlung |
Sprache: | eng |
RVK-Notation: | MS 2870 |
| AP 52600 |
Sach-SW: | Homosexuality in motion pictures |
| Middle Ages in motion pictures |
| Homosexuality and motion pictures |
K10plus-PPN: | 591957833 |