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Universitätsbibliothek Heidelberg
Status: ausleihbar
Verfasst von:Maloy, Rebecca [VerfasserIn]   i
Titel:Songs of sacrifice
Titelzusatz:chant, identity, and Christian formation in early medieval Iberia
Verf.angabe:Rebecca Maloy
Verlagsort:New York
Verlag:Oxford University Press
E-Jahr:2020
Jahr:[2020]
Umfang:ix, 331 Seiten
Illustrationen:Illustrationen, Notenbeispiele
Gesamttitel/Reihe:AMS studies in music
Fussnoten:Includes bibliographical references and index ; Zusatzinformation zum Buch sind über die Webseite: www.oup.com/us/songsofsacrifice abrufbar
ISBN:978-0-19-007153-0
Abstract:"Songs of Sacrifice argues that liturgical music-both texts and melodies-played a central role in the cultural renewal of early Medieval Iberia. Between the seventh and eleventh centuries, Christian worship on the Iberian Peninsula was structured by rituals of great theological and musical richness, known as the Old Hispanic (or Mozarabic) rite. Much of this liturgy was produced during the seventh century, as part of a cultural and educational program led Isidore of Seville and other bishops. After the conversion of the Visigothic rulers from Arian to Nicene Christianity at the end of the sixth century, the bishops aimed to create a society unified in the Nicene faith, built on twin pillars of church and kingdom. They initiated a project of clerical education, facilitated through a distinctive culture of textual production. The chant repertory was carefully designed to promote these aims. The creators of the chant texts reworked scripture in ways designed to teach biblical exegesis, linking both to the theological works of Isidore and others, and to Visigothic anti-Jewish discourse. The notation reveals an intricate melodic grammar that is closely tied to textual syntax and sound. Through musical rhetoric, the melodies shaped the delivery of the texts to underline words and phrases images of particular liturgical or doctrinal import. The chants thus worked toward the formation of individual Christian souls and a communal, Nicene identity. The final chapters turn to questions about the intersection between orality and writing and the relationships of the Old Hispanic chant to other Western plainsong traditions"--
URL:Inhaltsverzeichnis: https://www.gbv.de/dms/bowker/toc/9780190071530.pdf
Schlagwörter:(g)Iberische Halbinsel   i / (s)Christentum   i / (s)Altspanische Liturgie   i / (s)Mozarabischer Gesang   i / (s)Kulturelle Entwicklung   i / (z)Geschichte 600-1100   i
 (s)Geistliche Musik   i / (g)Spanien   i / (z)Geschichte 600-1100   i
Sprache:eng
Bibliogr. Hinweis:Erscheint auch als : Online-Ausgabe
K10plus-PPN:1680668617
Exemplare:

SignaturQRStandortStatus
2020 A 11557QR-CodeHauptbibliothek Altstadt / Freihandbereich Monographien3D-Planausleihbar
Mediennummer: 10626030

Permanenter Link auf diesen Titel (bookmarkfähig):  https://katalog.ub.uni-heidelberg.de/titel/68638929   QR-Code
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